FSASA FACEBOOK CONNECT | INREVIEW
This page is designed to CONNECT visitors to this site with the information that I post to our FRIENDS OF SASA FACEBOOK PAGE. You can find our Facebook page at https://www.facebook.com/friendsasa
Many of the items posted are simply notifications, reminders and other sorts of information about artists, exhibitions and events that will be of interest to all members of the South Australian visual arts community.There are however some items that provide opportunities for more extended viewing or reading - essays, magazine articles, mostly from the INREVIEW online magazine. It is these latter that I believe deserve to be stored or archived for posterity.
Dr Jenny Aland PSM. Manager of the Friends of SASA Facebook page.
2024 Palmer Sculpture Biennial rockProsthesis (metal, muscles, code), by Anika Gardner and Stelarc.
Art dances to nature’s tune at the Palmer Sculpture Biennial: John Neylon
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Paul Kelly, 'The Big Scotsman', 1963: Can a piece of advertising be considered a work of public art? Photo: Tony Lewis
part one: taking it to the streets public art at the crossroads: John Neylon
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The strange death of the art schoOL: Daisy Dunn
The standardisation of British art schools has replaced a once living tradition of artistic practice with self-justificatory faux-academese.
Marikit Santiago and her family with her work, Sa Simula (In the Beginning), in the Adelaide Biennial of Australian Art: Inner Sanctum at AGSA. Photo: Sam Roberts
Adelaide Biennial review: The search for sanctuary: john neylon
Angela and Hossein Valamanesh’s 14 Pieces, 2005, in front of the SA Museum. Photo: Tony Lewis
part two: space invaders : what makes good public art?: john neylon
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Guan Wei, Star Map No.1, 2020, acrylic on board, 174 x 124 x 3.5cm, courtesy of GAGPROJECTS.
'One grand symphony' at relaunched Adelaide gallery : John Neylon
Margot Osborne, The Adelaide Art Scene: Becoming Contemporary 1939-2000, Wakefield Press, 2024
From the modern to the contemporary – Adelaide’s evolving art scene: John Neylon
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Melinda Rackham ON Barbara Hanrahan’s Bee StunG Lips exhibition @ FUMA
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Under Wraps, a collaborative project by Union Street Sculptors, before its installation on site.